About

Christian Levett is a British collector, philanthropist, and former investment manager who built Clive Capital into one of the world largest hedge fund at the time, managing $5.2 billion. Retiring in 2016, since then, he has focused on art collecting, assembling the most comprehensive collection of female Abstract Expressionist works globally. His collection exceeds 2,000 pieces, including 600 by women artists. In 2011, he founded the Mougins Museum of Classical Art, which became FAMM in 2024—Europe’s first museum dedicated solely to female artists. He has sponsored over 40 exhibitions at institutions including Tate, The Met, and the Royal Academy. A Fellow of the Ashmolean Museum and Wolfson College, he serves on committees at The Met and Palazzo Strozzi. Christian has published three books on women artists and launched The Levett Letter in 2025 to provide strategic insights into collecting women’s art.

Chap Levett grew up immersed in his father’s collection and earned his BA in History of Art with First-Class Honours from Goldsmiths, University of London. While studying, he co-founded an art advisory business, achieving nearly $1 million in sales in its first year. He gained further experience at Christie’s, Levy Gorvy Dayan, and Gagosian. Chap contributed research for Abstract Expressionists: The Women and recorded audio guides for FAMM. He assisted in launching FAMM and graduated with a High Distinction in his MA at the Courtauld Institute of Art. In 2025, he began working full-time on The Levett Letter, combining academic expertise and market analysis to help shape its content.

Leisa has been Directrice of Christian Levett’s Museum since 2014, leading its transformation from the Mougins Museum of Classical Art into FAMM, Europe’s first museum dedicated solely to female artists. Since 2019, she has overseen the administrative management of Levett’s global collection across five storage locations while curating numerous exhibitions. Leisa built and leads the team responsible for developing the museum’s vision, engaging audiences, and elevating the visibility of female artists. Her role integrates operational oversight, research coordination, and strategic programming.

Bérénice grew up in a family where art played a central role, as her parents were dealers. She holds a Master’s in Marketing from HEC Montréal and a Master’s in Environmental Sciences from Stockholm University. She has built experience across the European art ecosystem, working in art-sector communications and business development for Sotheby’s, Barnebys, Convelio, and other cultural organizations. Her expertise spans strategic partnerships, brand positioning, and editorial content. Joining FAMM in 2024, Bérénice now leads public relations and business development, promotes the Levett Collection, and researches historical women artists.

Victoria is an art historian with a Master’s in Museum Education and Cultural Management. With over seven years of experience, she serves as Head Registrar and Chief Art Educator at FAMM. She develops educational programs, manages documentation and logistics, and organizes events to engage diverse audiences. Drawing on her expertise in collection management, Victoria ensures artworks are handled, displayed, and conserved to the highest standards, supporting FAMM’s mission to highlight women artists.

Laurène holds a research Master’s in Art History and Archaeology, specializing in Hellenistic Greece, and a Master’s in Collections Management and Museography. Since 2021, she has held registrar positions, primarily at FAMM, where she manages research, documentation, and artwork logistics. Laurène’s experience in art and archaeology museums underpins her meticulous approach to collection stewardship and scholarship, helping to advance FAMM’s mission.